Suddenly I find myself halfway through my stay in Japan, which is a very strange feeling. I have already experienced so many new things that January feels ages ago, yet I can't believe how fast the days fly by. I try not to think too much about leaving Japan and focus on Golden Week instead. Having worked with Hitachi for 2 months, I feel in need of a holiday, even though I only work 4 days a week and my overtime hours are limited. I must say I have gained a new respect for the salarymen and office ladies of Japan. Granted, the image of the overworked, underpaid and sleep-deprived salaryman is a cliché, but when I observe my colleagues I do think the company makes up a much bigger part of their life than is the case in the Netherlands. For example, when his wife delivered their first child, my colleague only had the weekend off and returned to his desk on Monday, his wife still in the hospital. He had been on a business trip a week before his wife was due. My female colleagues are, naturally, at the bottom of the unit’s hierarchy. Usually they stay longest, often clocking up to 3 hours overtime. Managers, too, stay longer than they have to. Often, their business trips fall in weekends or on holidays, in order to limit the impact on normal business proceedings.
But does all this devotion make the Japanese more productive or better at what they do? Working at a division that is largely involved in information gathering and dissemination, as well as generating a good deal of information in English, I must say the answer is no. Over the years, Hitachi has developed a rather peculiar form of English. In an earlier report, I already mentioned the infamous Hitachi-go: a mixture of business Japanese, technical terms, jargon and a couple of "invented words," that even employees of similar Japanese companies don’t understand. The term "monozukuri" is an excellent example. It means something along the lines of manufacturing, although it can also include design or management of production processes. Japanese from outside the company generally do not know what it means. In fact, the word is so wholly untranslatable that it often appears in Hitachi's English-language texts as well.
This special Hitachi-speak leaves its mark on most English-language texts we produce. In Brussels I received intensive article-writing training, learning to write succinct and accessible articles, often about complex subjects. There are a few tricks of the trade, such as concise, enticing headlines, clear phrasing, and putting the essence of an article in the first few sentences whilst saving background information (that which would usually be put in the introduction of books and essays) at the end of the article. After all, most readers have little time and even shorter attention spans, and getting the correct information across is essential. Unfortunately, all my pieces for Hitachi's newsletter (including some really good headlines) were reviewed and largely rewritten by a Japanese colleague, rendering them as dry and factual (and, frankly, boring) as the articles from previous issues. This confrontation with the "yarikata" (way of doing things) of the company, which is essentially reducing the effectiveness of its own (information) products, was a little frustrating.
At the core of the problem is, I think, the reliance on the company's yarikata. Once a certain practice has been established, it is virtually impossible to change it. And even if you manage to make some changes, your work has to go through such a long chain of people that by the time it comes back to you it’s hardly recognizable. The same thing often goes for top-down instructions. There is a popular children’s game where someone whispers a sentence into his neighbour's ear, who in turn whispers it into the next person's ear, who whispers it into someone else's ear, and so forth, until the last person in the group is reached and he then repeats the sentence out loud. Laughter is the result: the original meaning of the sentence is completely lost. This whispering hierarchy, with instructions trickling down from bucho to kacho to sempai, can form a communication problem even larger than the language, and sometimes results in superfluous work.
Yet, despite these more trying aspects of working in a Japanese work environment, it is still a great experience- not because of the system, but because of the people who are all very friendly and at the same time quite committed to the work we do. Even though I want to work to live, instead of living to work as some Japanese are doing, I do think the devotion of Japanese to their company can be fascinating to watch. If a little impractical at times.
vrijdag 25 april 2008
XIV. Yarikata
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donderdag 17 april 2008
XIII. Local
Even though life in Tokyo is never dull, there can be weeks that are relatively quiet, with nothing much going on. Not so this week. Last Friday one of my bucho’s invited me along to a meeting at UN University. Together with a group of Hitachi employees working in the field of CSR, Supply Chain Management and Human Rights, we had a meeting with prof. Yokota, an expert on UN/CSR-related issues. The entire meeting was of course in Japanese, and the details were often lost on me, but I still managed to get the gist of it. It goes to show that collecting and learning job-related words really improves the kenshuu-experience. I had prepared some questions and was able to ask one, which made a good impression on my colleagues. It was nice to get out of the office for a change (working at Hitachi is fun, but very sedentary) and I got some new ideas for my CSR-research.
On Saturday Margreet and I wanted to escape the city for a day, so we made the two-hour trip to the supposedly sacred island of Enoshima. To get there, you need to take the Enoden line, which runs over tracks so narrow you can almost reach out of the window and touch the houses and garden walls. The weather was pretty good, and although we had intended to lounge on the beach all day, we decided to have a look at some temples instead. Of course we ended up walking all around the small island, working our way through throngs of weekenders shopping for kitsch souvenirs, visiting pleasant but mildly bland temples and walking around on the rocky coast, where young families had pick nicks and children tried to catch tiny sea crabs. Apart from an older woman chanting in an atmospheric, dimly-lit temple, and the bicycle locks with hearts and dates that were chained to fences everywhere, the island wasn’t particularly noteworthy, although I’ve never before seen a beach with signs warning people to watch out for hawks.
It was a good idea to go to the beach on Saturday, as the weather on Sunday was bad: cold and wet. It was perfect museum weather though, so I seized the opportunity to finally visit the Edo-Tokyo museum in Ryogoku. Although the outside of the building is more overwhelming than the inside, it’s still a nice museum. I liked the scale-models of Edo Ryogoku and Meiji Ginza best; they are so detailed. The temporary exhibition of Japanese fashion designer Kansai Yamamoto’s work, especially the costumes he made for David Bowie, were a highlight of my visit. I am also looking forward to the next temporary exhibition, which will be about Matthew Perry, Townsend Harris and the beginning of American-Japanese relations. I will definitely go back to view it and bring my camera with me- the museum allows its visitors to make photographs inside!
As the weekend is never long enough, I’m very happy to have Wednesday afternoons off to experience living in Tokyo too, rather than just working there. Yesterday I ended up exploring Yanaka, an area close to Ueno Park with a very cosy and old-fashioned atmosphere. As the area was mentioned in several Tokyo guides, I had wanted to go there for some time. Walking past traditional shops at Yanaka Ginza, it was difficult to imagine Marunouchi’s skyscrapers were only 15 minutes away by train. The area reminded me of Kyoto, with shrines and old shops and warehouses on every street corner. Walking through Yanaka cemetery, I saw a couple of old men trying out Japanese traditional flutes they had made by hand. They were playing from sheet music, but the notation was very different from what I am used to, using numbers rather than notes to indicate pitch. I talked to them for a while and they explained to me how the flutes are made and showed me how to read their sheet music. It is chance encounters like this that make me realize how great it is to have learned the language before coming here. Even though our grasp of the language is still relatively basic, being able to chat to the locals really adds to the experience of living and working here in Japan.
On Saturday Margreet and I wanted to escape the city for a day, so we made the two-hour trip to the supposedly sacred island of Enoshima. To get there, you need to take the Enoden line, which runs over tracks so narrow you can almost reach out of the window and touch the houses and garden walls. The weather was pretty good, and although we had intended to lounge on the beach all day, we decided to have a look at some temples instead. Of course we ended up walking all around the small island, working our way through throngs of weekenders shopping for kitsch souvenirs, visiting pleasant but mildly bland temples and walking around on the rocky coast, where young families had pick nicks and children tried to catch tiny sea crabs. Apart from an older woman chanting in an atmospheric, dimly-lit temple, and the bicycle locks with hearts and dates that were chained to fences everywhere, the island wasn’t particularly noteworthy, although I’ve never before seen a beach with signs warning people to watch out for hawks.
It was a good idea to go to the beach on Saturday, as the weather on Sunday was bad: cold and wet. It was perfect museum weather though, so I seized the opportunity to finally visit the Edo-Tokyo museum in Ryogoku. Although the outside of the building is more overwhelming than the inside, it’s still a nice museum. I liked the scale-models of Edo Ryogoku and Meiji Ginza best; they are so detailed. The temporary exhibition of Japanese fashion designer Kansai Yamamoto’s work, especially the costumes he made for David Bowie, were a highlight of my visit. I am also looking forward to the next temporary exhibition, which will be about Matthew Perry, Townsend Harris and the beginning of American-Japanese relations. I will definitely go back to view it and bring my camera with me- the museum allows its visitors to make photographs inside!
As the weekend is never long enough, I’m very happy to have Wednesday afternoons off to experience living in Tokyo too, rather than just working there. Yesterday I ended up exploring Yanaka, an area close to Ueno Park with a very cosy and old-fashioned atmosphere. As the area was mentioned in several Tokyo guides, I had wanted to go there for some time. Walking past traditional shops at Yanaka Ginza, it was difficult to imagine Marunouchi’s skyscrapers were only 15 minutes away by train. The area reminded me of Kyoto, with shrines and old shops and warehouses on every street corner. Walking through Yanaka cemetery, I saw a couple of old men trying out Japanese traditional flutes they had made by hand. They were playing from sheet music, but the notation was very different from what I am used to, using numbers rather than notes to indicate pitch. I talked to them for a while and they explained to me how the flutes are made and showed me how to read their sheet music. It is chance encounters like this that make me realize how great it is to have learned the language before coming here. Even though our grasp of the language is still relatively basic, being able to chat to the locals really adds to the experience of living and working here in Japan.
donderdag 10 april 2008
XII. Ghibli
The blossoms have all but gone now and in the office, last month’s frantic activity has been replaced by calmer planning and introduction meetings. Last week, a group of employees was introduced that came to work with us, having previously worked in another part of the company. This morning, I went to a meeting where all Global Business divisions introduced their plans for the coming financial year. Unfortunately, the presentations were rather difficult to follow. Not because of the speakers’ speed or unclear pronunciation, but because of what my colleague termed “Hitachi-go”: too much company lingo. And finally, this afternoon, our new colleague (a real nyuushain, fresh out of university) joined us. After an extensive briefing about the team’s work, we are going out for his welcome party. Although I have been under the weather since Tuesday (flu-like symptoms), I will of course come along- but no sake tonight.
Apart from these new developments, we’ve also begun working on The Caring Tree, Hitachi’s CSR newsletter. Thanks to my colleague who has devised a system of forms people reporting their CSR activities can fill in, only two topics required much back-and-forth e-mailing to get sufficient data for the article. It’s a nice change from the research to be able to write straightforward pieces again- thanks to all the concise article-writing training I received in Brussels, I was able to write the bulk of the articles in one day.
Of course, I had some free time as well, this week. Last weekend I went to the Studio Ghibli museum in Mitaka. I have seen some of the anime studio’s films before (Spirited Away, Nausicaä of the Valley of the Wind) but even though I like them, I am not a hardcore fan. Many others are, however, and we had to book our tickets a month in advance. But it was worth it: the museum was built in typical Ghibli-style, with pastel-coloured walls, winding staircases, odd turrets and stained glass windows depicting scenes from some of the studio’s most famous anime films. On the ground floor there was an exhibition of various animation techniques, including a carrousel similar to those used in 18th century Europe. But this one, lit by a stroboscope lamp, showed 3-D animation. This room, as well as the quaint study/library/drawing studio upstairs, with countless Miyazaki sketches tacked to the walls, was my favourite part of the museum. There was a special animated film as well (one that can only be viewed in the museum). The best thing about the film was not the plot, which was a little simple, nor even the animations, but watching it surrounded by Japanese children who really got into the story, holding their breath, laughing uncontrollably and reading aloud all the hiragana that featured in the film. The museum’s motto “Let’s lose our way together” doesn’t really apply to the museum itself, as it is a little small and not quite the Disney-like overwhelming fantasy experience one expects, but I liked it very much. Standing on the roof, taking pictures of (and with) a Laputian robot statue, it struck me once again that Japanese have an imagination and a fairytale-world of their own, less sugary-sweet than Disney, but perhaps even more imaginative.
Apart from these new developments, we’ve also begun working on The Caring Tree, Hitachi’s CSR newsletter. Thanks to my colleague who has devised a system of forms people reporting their CSR activities can fill in, only two topics required much back-and-forth e-mailing to get sufficient data for the article. It’s a nice change from the research to be able to write straightforward pieces again- thanks to all the concise article-writing training I received in Brussels, I was able to write the bulk of the articles in one day.
Of course, I had some free time as well, this week. Last weekend I went to the Studio Ghibli museum in Mitaka. I have seen some of the anime studio’s films before (Spirited Away, Nausicaä of the Valley of the Wind) but even though I like them, I am not a hardcore fan. Many others are, however, and we had to book our tickets a month in advance. But it was worth it: the museum was built in typical Ghibli-style, with pastel-coloured walls, winding staircases, odd turrets and stained glass windows depicting scenes from some of the studio’s most famous anime films. On the ground floor there was an exhibition of various animation techniques, including a carrousel similar to those used in 18th century Europe. But this one, lit by a stroboscope lamp, showed 3-D animation. This room, as well as the quaint study/library/drawing studio upstairs, with countless Miyazaki sketches tacked to the walls, was my favourite part of the museum. There was a special animated film as well (one that can only be viewed in the museum). The best thing about the film was not the plot, which was a little simple, nor even the animations, but watching it surrounded by Japanese children who really got into the story, holding their breath, laughing uncontrollably and reading aloud all the hiragana that featured in the film. The museum’s motto “Let’s lose our way together” doesn’t really apply to the museum itself, as it is a little small and not quite the Disney-like overwhelming fantasy experience one expects, but I liked it very much. Standing on the roof, taking pictures of (and with) a Laputian robot statue, it struck me once again that Japanese have an imagination and a fairytale-world of their own, less sugary-sweet than Disney, but perhaps even more imaginative.
maandag 7 april 2008
XI. 入社式
Time flies when you’re having fun. Or when you’re working hard. In my case it’s both. I can’t believe that my first month with Hitachi passed by so quickly. For me it was a tougher month than I expected, as I needed to get used to my new place, my new job and especially my fuller schedule. I must admit I didn’t have much energy left for planning trips, planning Golden Week, going sightseeing etc. But as I have established a routine, I find there’s room in my head again for other things, and I’m beginning to enjoy Tokyo-as-a-tourist again. Perhaps this has got something to do with the countless Hanami trips I made. Apart from Hibiya and Ichigaya, I have now also seen the blossoms at the Sumida Kooen (Asakusa), Yasukuni jinja, (where we saw great traditional dances as well), the Imperial Gardens and Shinjuku Gyooen. Shinjuku Gyooen is by far the most gorgeous park I’ve been to and it’s definitely going to be one of my favourite summer hangouts.
At work, things are still going well. One of my bucho’s regularly requests me to do small research assignments for him, which always take more time than expected (partially because they can be difficult, but also because the research question is often rather vague). Apart from that, I have my own CSR research which is going slower than expected -due to aforementioned assignments- but, as my other bucho regularly takes time to discuss my progress with me, I still have a good feeling about it. My first deadline is at the end of this month, so I’ll really have to keep up the pace. This is why, when I stay longer, I stay not just because it’s good form, but because I actually have work to do.
Luckily it’s not just all work and no play. On Thursday my colleague and I went to Hitachi’s 入社式 (nyuushashiki, welcome ceremony for new employees), which turned out to take place in the Tokyo Big Sight Convention Centre in Odaiba. It was great to get out of the office and travel with the Yurikamome line through sunny Odaiba. With the nice sea breeze it must be a great place to escape the summer heat. The convention centre looked like something straight out of a Star Trek episode, with huge bronze-coloured inverted pyramids resting on four broad corner pillars. Walking underneath it, the building reminded me a little of Le Grande Arc de la Défense. Inside, we were ushered into a huge hall where a stage had been erected, flanked by large TV screens showing the Hitachi logo. Rows and rows of 入社員 (nyuushain, new employees), all dressed in black suits and white shirts, were patiently waiting for the ceremony to begin. My colleague told me that Hitachi’s Head Office has recruited one thousand 入社員 this year- it was quite a sight. As the ceremony began, the lights in the hall were dimmed and the stage lit up with a Disney-esque light show accompanied by similarly dreamy orchestral music. A great entrance for Furukawa-shachō, whose speech was short but inspirational (as far as I could understand). Many other speeches followed, including one by a 入社員 who subsequently got to shake Furukawa’s hand- he must have a great future ahead of him. The ceremony lasted several hours and although I tried my best to understand as much as I could, it was hard to keep focused. My colleague even dozed off. But it was very nice to experience this part of Japanese corporate life. Our division will get its own 入社員, too: on the 10th of April we’ll go out together for his welcome party. I’m looking forward to meeting him, but first I’ll have some manual labour to do as I will have to move to another desk, which is now cluttered in a way only Japanese desks can be...
At work, things are still going well. One of my bucho’s regularly requests me to do small research assignments for him, which always take more time than expected (partially because they can be difficult, but also because the research question is often rather vague). Apart from that, I have my own CSR research which is going slower than expected -due to aforementioned assignments- but, as my other bucho regularly takes time to discuss my progress with me, I still have a good feeling about it. My first deadline is at the end of this month, so I’ll really have to keep up the pace. This is why, when I stay longer, I stay not just because it’s good form, but because I actually have work to do.
Luckily it’s not just all work and no play. On Thursday my colleague and I went to Hitachi’s 入社式 (nyuushashiki, welcome ceremony for new employees), which turned out to take place in the Tokyo Big Sight Convention Centre in Odaiba. It was great to get out of the office and travel with the Yurikamome line through sunny Odaiba. With the nice sea breeze it must be a great place to escape the summer heat. The convention centre looked like something straight out of a Star Trek episode, with huge bronze-coloured inverted pyramids resting on four broad corner pillars. Walking underneath it, the building reminded me a little of Le Grande Arc de la Défense. Inside, we were ushered into a huge hall where a stage had been erected, flanked by large TV screens showing the Hitachi logo. Rows and rows of 入社員 (nyuushain, new employees), all dressed in black suits and white shirts, were patiently waiting for the ceremony to begin. My colleague told me that Hitachi’s Head Office has recruited one thousand 入社員 this year- it was quite a sight. As the ceremony began, the lights in the hall were dimmed and the stage lit up with a Disney-esque light show accompanied by similarly dreamy orchestral music. A great entrance for Furukawa-shachō, whose speech was short but inspirational (as far as I could understand). Many other speeches followed, including one by a 入社員 who subsequently got to shake Furukawa’s hand- he must have a great future ahead of him. The ceremony lasted several hours and although I tried my best to understand as much as I could, it was hard to keep focused. My colleague even dozed off. But it was very nice to experience this part of Japanese corporate life. Our division will get its own 入社員, too: on the 10th of April we’ll go out together for his welcome party. I’m looking forward to meeting him, but first I’ll have some manual labour to do as I will have to move to another desk, which is now cluttered in a way only Japanese desks can be...
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