XII. Ghibli

The blossoms have all but gone now and in the office, last month’s frantic activity has been replaced by calmer planning and introduction meetings. Last week, a group of employees was introduced that came to work with us, having previously worked in another part of the company. This morning, I went to a meeting where all Global Business divisions introduced their plans for the coming financial year. Unfortunately, the presentations were rather difficult to follow. Not because of the speakers’ speed or unclear pronunciation, but because of what my colleague termed “Hitachi-go”: too much company lingo. And finally, this afternoon, our new colleague (a real nyuushain, fresh out of university) joined us. After an extensive briefing about the team’s work, we are going out for his welcome party. Although I have been under the weather since Tuesday (flu-like symptoms), I will of course come along- but no sake tonight.

Apart from these new developments, we’ve also begun working on The Caring Tree, Hitachi’s CSR newsletter. Thanks to my colleague who has devised a system of forms people reporting their CSR activities can fill in, only two topics required much back-and-forth e-mailing to get sufficient data for the article. It’s a nice change from the research to be able to write straightforward pieces again- thanks to all the concise article-writing training I received in Brussels, I was able to write the bulk of the articles in one day.

Of course, I had some free time as well, this week. Last weekend I went to the Studio Ghibli museum in Mitaka. I have seen some of the anime studio’s films before (Spirited Away, Nausicaä of the Valley of the Wind) but even though I like them, I am not a hardcore fan. Many others are, however, and we had to book our tickets a month in advance. But it was worth it: the museum was built in typical Ghibli-style, with pastel-coloured walls, winding staircases, odd turrets and stained glass windows depicting scenes from some of the studio’s most famous anime films. On the ground floor there was an exhibition of various animation techniques, including a carrousel similar to those used in 18th century Europe. But this one, lit by a stroboscope lamp, showed 3-D animation. This room, as well as the quaint study/library/drawing studio upstairs, with countless Miyazaki sketches tacked to the walls, was my favourite part of the museum. There was a special animated film as well (one that can only be viewed in the museum). The best thing about the film was not the plot, which was a little simple, nor even the animations, but watching it surrounded by Japanese children who really got into the story, holding their breath, laughing uncontrollably and reading aloud all the hiragana that featured in the film. The museum’s motto “Let’s lose our way together” doesn’t really apply to the museum itself, as it is a little small and not quite the Disney-like overwhelming fantasy experience one expects, but I liked it very much. Standing on the roof, taking pictures of (and with) a Laputian robot statue, it struck me once again that Japanese have an imagination and a fairytale-world of their own, less sugary-sweet than Disney, but perhaps even more imaginative.